Review: Divinity: Original Sin II > 자유게시판

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Divinity: Original Sin II is projected to be completed sometime in 2017. The Early Access build is accessible in Steam with a preorder. This version is obviously not the full SLG game cheats and may not have the same level of polish the final product will, so those wanting the complete final build would be advised to wait until it becomes available. For those wanting to get into the new Original Sin now, this build is worth the asking price. The first act of the campaign is available for both single and multiplayer modes which is easily a dozen hours of content and letting the players get their feet wet in experiencing the unbridled freedom of choice that is offered. The PvP Arena is available with select maps playable now with more coming in the future. Approximately half the skills are available across eight of the ten schools of magic. Those who take advantage of Early Access will naturally be upgraded automatically to the retail release upon completion.

Next, go with a Ranger. Put a point into Warfare. Then, select First Aid, Ricochet, and Pin Down as Skills. Finally, the player might want to go with a Shadowblade with points in Polymorph and Scoundrel, with Chameleon Cloak, Backlash, and another Skill of the player's choice selected. Some players enjoy using Chicken Claw while others swear against

Things are a little bit different this time around. For starters, the Divinity: Original Sin **** II takes place over 1,000 years after the events of the original. The Divine is no more, and the Void is ever expanding and will consume the world if allowed to grow unchallenged. In addition to the great time gap between the two games, the role of the player in relation to the magical force known as Source has been completely flipped. No more are we engaged in a witch hunt but instead we step into the shoes of a Sourcerer and get to experience what being on the receiving end of said witch hunt feels like.

Several weeks ago I was fortunate enough to get some hands on time with Divinity: Original Sin II at PAX . That experience only gave a brief glimpse into what is offered in this build and I imagine I will feel the same way about the Early Access build when the complete game is released. The predecessor was a massive choice-driven RPG that was in the vein of classic computer RPGs. The bar was set high by Divinity: Original Sin and everything that made that title so great returns here and then some. Making any definite declaration about a game's quality prior to its final release is impossible and I do not want to over hype this title to the point of having expectations it can not reach, but anyone who enjoyed its predecessor needs to keep this one on their radar, regardless of whether they want to wait for the final version to come out or if they want to dive into the early build right away.

Rivellon is the world in which Divinity Original Sin 2 takes place. In this realm, Source is the energy from which all living beings are made. Some of these individuals can use Source to cast spells or improve upon their fighting abilities. An organization that is known as the Divine Order is persecuting these users of Sou

Upon arrival the player is alone and free to explore the island. Certain NPCs and Origin characters from the ship can be found and react to the player based on how the player behaved toward them previously. Up to three party members can be recruited and there is no shortage of side quests or other activities. How the player behaves towards the party members and other people around influences the attitude they form toward the player, and if they find the player particularly unpleasant they may leave the group outright. All Origin characters can be recruited but only three may be in the party at any time so players are encouraged to swap out members and see who is the best fit based on combat attributes and personality.

The first thing a player must do in the campaign for Divinity: Original Sin II is either select an Origin character or create a new character. There are technically eight races to choose, though that number is slightly inflated because of the Undead. The options are Human, Elf, Dwarf, Lizard and the Undead versions of each of these classes. Dwarfs are sturdy and begin with talents that contribute to vitality, dodging and sneaking. Elves gain bonuses to lore and may gain the memories of the dead by eating their corpses (yum!). Humans gain bonuses to critical chances, initiative and bartering. Lizards gain resistance to heat and poison and persuasion and have a useful function of being able to dig up secrets without a shovel. All Undead have the undead talent which causes healing items to harm them and poison to heal them and one of the other traits associated with their race when they were alive, plus they can also attempt to pick locks with their bony fingers and no other tools.

The tag system is a new feature introduced in this sequel, which allows specific dialog options to become available based on gender, race, profession, and origin story. New tags may be gained and current tags may be lost based on character decisions and achievements. Should the player choose to design a character without an origin story, they will have the choice to add extra tags during the creation process to help personalize the experience by giving the character a unique personality and dialog options. There are presets that allow a character to begin the game better suited for a play style fitting a traditional RPG class such as warrior or rogue but there are no character classes, allowing the character to be customized and built as they progress through the game however the player sees fit. The multiplayer limit has been raised from two player to four player, and players may be in direct conflict with each other during certain quest goals based on origin story, making it a spur of the moment decision to play cooperatively or competitively. There is also the new dynamic music system where the player selects a character's chosen instrument, allowing this instrument to take lead in the soundtrack during crucial moments of combat or story development.